I recently had a chance to get a good close up look at a peice done by visual artist Kara Walker. If you're not familliar with her work, here...
http://www.broadartfoundation.org/collection/walker.html
Anyway, after much to-do and a ticket to the top of the art world, Kara Walker is gonna get criticized by me, and i plan on going off on somewhat of a tirade. For the sake of full disclosure, i'm an artist myself, so there is a very real chance that envy is part of my motivation here. But i really don't think so.
As an artist, and knowing many people who are "artistic" in some sense, i have a confident notion that we are an enlightened bunch. Judging by the many indepenent openings, events, shows, or whathaveyou that i have attended, organized, thrown or crashed....well you get the idea...we seem to be a pretty progressive group within the larger society. There is, however, an important distinction to make between these grassroots artists and the more established gallery system, offcially know as "The Art World." The most pronounced trait of this distinction is the difference in the accessability of the two spheres. Even if she functioned in the Romanticized sense of "the independent artist," Walker would in effect be preaching to the choir.
In a larger, more realist sense; if one chooses to champion an issue, and venture to speak of the history of injustice in America, i cannot fathom why it would be done in such a bougoise forum as the "established art gallery", unless the true motivation is profit (gained by exploiting the issue).
It's a matter of fact that Kara Walker paintings are being/have been sold by Sotheby's, and are widely collected by people who can afford to own important works of art. I don't think that most people who get fucked over by racism really spend much time browsing the latest Sotheby's catalog. Hell, statistics show that a good portion of minorities and people near the poverty line have a hard time even getting internet access to read this article. How's that for some perspective? This is what i have in common with people who get fucked over by racism, and this is where im coming from on this topic....A major symptom of racism is denial of access, which is also a major symptom of an unjust and discriminatory class system. The two are nearly inseperable.
By focusing solely on the negativity generated by injustice such as this, Walker's art only serves to reinforce and give creedence to that negative idea, and fails to look forward to solutions. It's obvious Walker is passionate about the truth, but the problem is compounded by addressing one social ill from within the confines of another (economic bigotry). In the end, nothing is truly accomplished, and i have to question the clarity of her concept.
Confronting the social sins of the past is an important task, to ensure it doesn't happen again, but if you do it in a forum that is inherently isolated and entrenched, set out of reach by social mores and economics, then you're just wasting everyone's fucking time.
until next time, fucking fuck off.